The “Lords Of Chaos” film is absolutely NOT fukking needed and never has been.

So yeah there’s another celluloid travesty being made and it’s official this time. See for yourself:


This modern day exploitative abomination has been in production hell since roughly 2009 as stated on Wikipedia. That right there is false and fake news. Rumors of said piece of shit had been circulating the internet ever since I developed an addiction to opiates in the early to mid 2000’s. And my feelings towards it have stayed the same since then:

Fukking Hollywood Kunts

What gets my fukking goat about this dumpster fire of a film is all it is trying to do is capitalize off a fukking book that for one was based on tabloid headlines, and politics (so much has changed then huh? I’m looking at you Metalsucks :sips white wine:). ANYONE who was of age in the 90’s and was a legit fan and part of the much smaller scale Black Metal sub-culture will tell you it (meaning the book) was the worst thing that really happened to the entire genre. Not just Norway mind you, but the entire fucking thing. It wasn’t so much of a Catch-22 situation even as much as I wish it was, no it was the opposite THING of that. Some of us who were chemically fukked-up saw past the bullshit that it was with a grain of salt while a lot of others took it as an invitation into the genre/culture that would now be referrred to as modern-day tourism. Meaning people with absolutely ZERO fukking clue who’s brain chemistry aren’t as screwed up as the rest of us to come in and gawk and awe and think they were ever part of it. Now that might sound somewhat “elitist” to some of you reading this, but you’re talking to someone who WAS there and as a 35 year old and has seen the direction black metal has gone in the time since then. Basically what I am getting at is this: people want to be Norway Black Metal but when it comes down to the mentality and attitude – they simply fucking cannot comprehend that long forgotten ghost of a fire that once burned brightly. Especially people now who are so goddamn offended and politically correct. They wouldn’t last 2 seconds. Hell, not even one.

On top of people simply not getting it(as that’s always been the case ever since the days of bands like Venom and Hellhammer), they are also the type to cast their stones of modern day political correctness much like the newspapers/magazines/websites/blogs that throw shit at the genre and that particular scene. That and treating it as a corny VH1 Behind-The-Music special where a bunch of stupid metalheads did a bunch of drugs, banged some skanky groupies and all got platinum records and have these stupid epic cut-scenes where they’re all on stage in front of thousands of other stupid metalheads. Or there’s also the possibility of the movie turning into some lame-ass TLC Sunday afternoon movie where it’s about heartache and relationships and the ending is a misty eye-inducing tear jerker….some lame shit like that. It’s re-visioning of the past in the worst of fucking ways and it waters down that said fire that raged out of control.

The only good thing about this entire thing is that all the Norwegians themselves and loudmouth aging assholes such as myself are distancing themselves and telling the director to go fukk himself. Basically anyone with any sense of dignity is seeing this for what it is: Hollywood/Mainstream America coming in, cashing-in, exploiting it and selling this shit to bovine Machine Head fans who wouldn’t know what fucking metal is without Kerrang/Metal Hammer holding their clammy moist hands. Yes I know what I said completely contradicted my statement there considering that Kerrang did that whole article in the 90’s that was the world’s first view into this group of mentally-ill teens playing in the snow in Norway and talking about trolls…..but mind you that Kerrang then thought it was a joke and now they are alllllllllllllll fukking for it. Much like how the rest of the world has come around to making Black Metal normal, and politically correct and more inclusive and all that other shit that in truth churns my stomach at the end of the day. Completely watering it down where we end of with shit like Sacred Son or Deafheaven. We were forced to trade angry hearts, depression, sociopathic tendencies and general misanthropy for swoopy haircuts and 5 star reviews and song lyrics about not living in upper middle class Malibu and being able-bodied and culturally insensitive and god-knows-what-else.

For fukked-up individuals such as myself as a teen in the 90’s, that fire lit something rather primal under my young ass, scorching my prepubescent nut-hairs that the spirit itself still does. It was a rather nihilistic revolutionary mindset that went past previous version of rock ‘n roll rebellion and took it probably to it’s absolute extreme. Just basically short of starting some sort of Helter Skelter race war or inciting small groups of young teens to start fukking dead animals. But it WAS the 90’s and I wouldn’t be too surprised if someone was inspired to do such back then. In fact if word caught wind and screwed-up people such as myself would have heard about that sort of thing, we would have been all for it in this bygone sense of shock and over-the-top shit that kids THESE days claim to be “edge.” All I have to say about that is that what made men out of us ok? We weren’t allowed to talk about things such the virtue-of-the-week or standing against sexism or had any idea or concept of the gender pay gap.

And may be that’s what makes me so damn ornery about this film of Donald Trump-esque proportions. Ever since then I have yet to see any form of rock-based rebellion or even teenage rebellion that comes anywhere near close to what once was. At 35, I see teens/young adults online posting the dumbest of memes and/or talking about fantasizing and jerking off to online clips of Japanese anime tits on When in reality they should be out TP’ing their neighbor’s house on Halloween night. Or doing whippits. Or stealing their parent’s porno mags. Fucking doing something other than whatever their form of teenage rebellion is. Did I go too far off course with this one? I don’t know honestly, and nor do I care. Much like I haven’t really given a shit about Norway/Varg/etc in the time since. Going on any further about this makes me want to just drop all that I am doing and take up that Tide Pod challenge the more I think about it.

Bottom line: “Lords Of Chaos” is the SLC Punk movie meaning it’s the type of movie that your friends who weren’t really into metal wanted to watch with you.  Some things are best left alone in the past and should have remained in obscurity.


Aging Groove Metal Musician Loses His Shit and Acts Like A Child.

:wiggerish hand movements intensifies:

No less than roughly 24 hours ago, Guitarist/Singer Robb Flynn of Machine Head pulled a Suicide Silence and threw a decent-sized online childish tantrum on Machine Head’s official Facebook page. Why am I talking about this? Because it serves him right. It serves him right after his entire career of confusing and duping would-be metal fans into believing his music was ever good in the first place. Or that he was the second coming of groove metal. Or that he had any sort of talent that extended past the first two legendary Vio-lence albums. Let’s take a moment to look at what this overgrown poser cried about shall we:

First thing’s first: I cannot extend my congratulations and hails enough to Decibel Magazine. The gentleman there are real supporters of the underground and have a good record of calling out bullshit when bullshit appears. The fact that Mr. Jeff Treppel had the courage to call out Machine Head for what they are is a shining light in these biased times. For too long toilet paper magazines such as Kerrang and Metal Hammer and any over-the-hill Euro rock/metal magazine has hyped the fuck out of Machine Head for some unknown reason that even I cannot understand. The fact is that Machine Head have only been popular in Europe and Robb Flynn’s behind-the-scenes coattail riding and grandiose dreams of being the next tough guy behind the mic is a shtick that even long-time Machine Head fans are starting to wisen the fuck up and be ‘woke’ about.

Second and this is directed at Robb Flynn; If you cannot take any sort of criticism then just stop releasing music. Also don’t bite the only hand that feeds you and gives you any sort of magazine print coverage here in the States. Your Euro circle-jerk may have blown your Californian ego up in the 90’s in the UK, but you have a terrible history of not only trend-hopping, but doing every goddamn thing you can to gain the same level of mainstream success as whatever goofy mainstream metal band is currently having. Reacting the way you do to any sort of criticism reveals your true insecurity not only as a musician but also towards the very music you create. When Pantera were huge, you jumped on top of of those groove metal riffs and bastardized them with terrible Biohazard breakdowns. When Nu-Metal got big, you have bleached blonde liberty spikes and wore a baggy orange Jnco jumpsuit and look straight cut out of Insane Clown Posse minus the make-up. When Nu-Metal died and that god-fucking awful New Wave Of American Heavy Metal got popular on the Ozzfest/MTV circuit, you grew your hair back out and started claiming to be buds and an influence to bands such as Trivium and Killswitch Engage. Then when that died down you resorted to the good ol’ fashion “I’m REAL Metal” shtick.  Now after loosing that verbal round with the ragin’ Cajun frontman of Pantera, Mr. Phil Anselmo completely cold-cocked you back into 1998, back to your Nu-Metal era minus the image. What’s next Rob? Going to start citing Djent/Deathcore and make an album inspired by that? That’s one trend you haven’t tried to capitalize on. Yet.

The saddening thing is that Robb Flynn IS capable of writing good solid music. He WAS the guitarist of the Bay Area band Vio-lence for fuck’s sake! Let it be known for the record that as far as US Thrash Metal bands go; Vio-lence were one the only US bands next to Dark Angel, Demolition Hammer and Morbid Saint that could stand-up proudly next to the global greats such as Kreator and Sepultura. That’s one thing I will never take away from Robb was his riffs on those first two Vio-lence albums. Don’t believe me? Listen to this sample cut from the face-fucking Thrash Metal riff-o-rama beast of a debut album:

Riffs. Lots of them.

But ever since leaving Vio-lence, he has done nothing but sully and soil of all his god-given talent. Trading riffs in for whatever was flavor-of-the-month in the 90’s/2000’s. And for a guy that worshiped the ground that Pantera walked-on, he sure picked the wrong fight with Phil Anselmo of all people. At this point, the Decibel Magazine album review of “Catharsis” is spot-on. And it’s poetic justice to a whining overgrown crybaby man dude in his 40’s/50’s. It’s just deserts for a gentleman that thinks he’s perfect, and pious that uses every opportunity to open his fucking mouth much like Corey Taylor. And truth be told, I personally couldn’t be happier. For someone to be surrounded by a bunch of Yes Men in his camp, it’s refreshing to hear someone speak the truth about not just Robb Flynn but Machine Head even if it IS the unpleasant truth that Robb Flynn does whatever he can to stay relevant and charge his fans $45 for a fucking Affliction-looking t-shirt at concerts.

Closing statement: Robb Flynn should take the energy that he used to throw a tantrum and put that to help promote the fundraiser/benefit concert to his former band mate and vocalist Mr. Sean Killian in Vio-lence. That would be more positive than throwing stones in a glass house and accusing other lead singers as racist or whatever.

Hey Robb, cheers mate! :sips white wine:

Language: The Art Of Watering Down

Neill Jameson (who I’m sure you’re by now familiar with) wrote a think-tank piece about the continuing entropy-like process that is happening to the concept and abstract idea of having a logical and mature adult conversation on social media on just about ANYTHING one says. He also spoke of some artist which I am still very confused with and having conflicting feelings about. Much like your Dad when he was having a tough time deciding between purchasing Swank Magazine and “Guys Butts Drive Me Nuts Vol.8” on VHS back in the 80’s.  Anyway, crass humor aside, Neill explains that now we’re getting to the point where discussion is all but a meaningless futile high school debate team class in session, but fuck if high school kids aren’t at times more mature than adults in 2017. He says that “These days, trying to have civil discourse—especially in the realm of metal—is like attempting to force feed a newborn an entire watermelon. I’m sure it can be done, if cartoons taught me anything, but the baby will just bitch that it wasn’t in season.” I for one cannot argue with this statement. But that got me to wondering; if the idea and concept of an actual discussion is going out the window then what the fuck is happening to the language that we are using? Don’t worry, I won’t lecture you about any bullshit preferred pronouns or anything dealing with the politically correct. I’ll leave that up to Metalsucks along with the white guilt. You won’t find any of that here.

This particular think-tank piece Neill Jameson wrote was inspired by an artist who parades around with the label “black metal” but is nothing except the pure hipster irony- full of sassy wit – much like fucking everything in 2017 with the exception having accidently been diagnosed with an infected scrotum. The said artist’s MUSIC wasn’t terrible by any means but was still fucking lazy and uninspired even though the music could have passed off at a C- in my book. And in the lengthy 300+ comment conversation that inspired Neill’s article, all I read were the same old comments and excuses and defenses, etc. about “tr00 kvlt” and “elitists.” Constant finger-pointing and jabs at things that don’t really fucking exist in 2017. And it made me again ask the ol’ question that ever since I started this blog, I have been asking which is loudly screaming in my mind “WHERE ARE THESE SO-CALLED FUCKING ELITISTS?” and what the fuck exactly is “kvlt” in 2017?

This lead me to realizing not only discussions are in danger of extinction, but language in and of itself. When we start tagging certain words onto anything we don’t agree with we not only end up in an upside down world where Donald Trump is President, and fully grown adults believe that the Earth is actually flat. It’s also where loudmouth toxic cis scum such as myself take a step back and starts calling bullshit on everything. Much like using the word “racist” in 2017 where it’s damn-near lost all meaning and value through over-usage. You can add words such as “elitist,” “kvlt” and just about any other preferred snub at the underground that you can think of to that list. Any word that can be used against die-hards and maniacs in the underground, or anyone that is extremely passionate about non-mainstream forms of music are constantly targeted as the bane of music’s existence. Which is funny to me because given my age (I’m hurtling towards 35 in March btw), because a lot of these words meant something completely different 20 years ago when I was 14 going onto 15. Yes I understand I’m reaching my old man yelling at the clouds stage in life, but there’s a point to what I yell at.

“Oh you don’t like Sacred Son? Sorry that not everyone can listen to tr00 kvlt bands 24/7 such as you, but a lot of us see the irony in it and that’s what mainly counts in music these days nevermind that the music is worth fuck all.” 

History Lesson: In 1997 the word “elitist” didn’t even fucking EXIST for the most part. Nor did it find it’s way into the magazines such as Metal Edge, Circus Magazine, or Hit Parader. “Elitist” use to mean that you were or you considered yourself of the same quality of music as Norway. That was strictly a black metal musician’s term. And if you used it improperly you were given death threats or had dead rats sent to your mailbox as a way of calling you out on your bullshit. “KVLT” was originally “cult” which originally meant something pretty obscure. And in pre-Internet times, obscure was abundant. It was something that you HAD to go out, do your detective work, search for the clues that lead to whatever it was that you were looking for. Now anyone with a WiFi signal and access to Youtube can find anything at a click of a button in less than a second. Completely bypassing the time and patience it took in a generation or so prior to search out and develop an honest and passionate fan level appreciation for the artist. Nowadays, any two-bit mainstream deathcore band that wears white belts and vintage Death Row Records shirts from Hot Topic uses “elitists” as a way to lash out at their fans who basically say “Your new album sucks balls and you’re full of shit if you are trying to fool anyone by saying that you are ‘progressing’ and ‘evolving.'” Or if you are a fan and you think something is horseshit, you are called an ‘elitist’ and thought of as some basement-dweller that only listens to crappy NSBM bands that only has 50 copies of their demo on cassette form. Or some other over-used stereotype like that. But why Metal? Noise genre musicians are the leaders in terms of obscurity if we are comparing apples to oranges. In fact Noise artists puts Black Metal to shame as far as limited releases and obscurity. Nobody gives Noise artists any shit for such genre characteristics. And on top of that if there is one thing I have noticed is that if there are actual elitists of the metal kind out there, then they are keeping to themselves. Why? Because someone who is actually something doesn’t go around professing it and telling everyone. And if you a person who does the opposite, I can personally see thru your transparency. It’s like some chalk-white, stock motherfucker going around saying “I’m a funny dude’ and has the comedy level of Amy Schumer. In other words; you are NOT funny. So if you are a self-proclaimed “elitist”…..I can assure you that you more than likely listen to 87th rate bands that sound worse than the 50th rate bargain bin bands I listened to when you were still in your Avenged Sevenfold phase, dude. In the amount of time that I’ve been listening to underground Metal for the past 20 years, I can honestly fucking say that I have met/talked to possibly no more people than what I can count on my right hand that actually defined the term “elitist.” That’s about 5 total. These individuals for one do NOT even remotely talk to people on social media, let alone jump into a fucking Youtube comment section and argue with some snot-nosed 18 year old who is trying to revision the past.

“Despite all of your valid points, I just called you a tr00 kvlt elitst through the usage of my wit. I win the argument. I was born in 1994 btw.” – Metal Discussions in 2017

And it doesn’t stop there.  The word “kvlt” is a meme as well. That word went from being regular ol’ ‘cult’ to having a shitload of tourists come in, steal and use it in the cringe form of “kvlt.” Don’t even get me started on the word “tr00.” “tr00” use to mean “true” which again use to actually meaning something. It meant you were getting the real deal Holyfield of music. When used in terms of black metal, it usually meant a band with real convictions, a dedication to general negativity, and all-around fucked-up individuals that made everyone around you think you beyond any help. Now, along with “kvlt” it’s also used in meme-worthy internet jargon. It doesn’t mean jack shit outside of someone replying to your statement. A good example would be “Oh you don’t like Sacred Son because you are some tr00 kvlt person that only listens to horribly produced music that sounds like it’s from 1998.” Which is sad because how does one differentiate between something that is OBVIOUSLY watered-down, plastic, disposable crap and something that is more durable, time-worthy, wallet-worthy, and actually DOES deserve the music fan’s support. The same goes for words such as “real.”  Hell even the word “Metal” is associated with a couple 12 year old Japanese girls who’s record label’s A&R executives should be fired and sent to prison for promoting a disgusting new form of kiddie porn. A lot of the coded language that the underground redefined itself with for the majority of the 90’s has sadly become nothing more than euphemistic wording that is associated with memes. And two-second wittiness and cheap jokes. And some people don’t actually know the difference between what’s real and authentic and something that is fake and a fucking joke.

If there is a resolution I can propose to this minor problem that continues to force me to yell a what seems like a brick wall, is to basically do this: treat others with respect and not sound like an insufferable condescending butthole. Yes, I understand that most of what I write may come off that, but the main difference I try to do is to possible educate, look for alternatives, and try to get people to have a better understanding of certain things and hope for the best. I know that is a pipe dream at the end of the day, but like I said; it’s 2017 and anything is fucking possible. I mean if Sacred Son can come along and try to pass his music off on those of us who know better then I know we as the collective Metal underground can find ways to be the better man, use our heads and try having a civil discussion even when you have people throwing words out  at us because they simply disagree with us despite our conservative stance on things. All while us saying “Fuck you” nicely. It’s possible and it’s it’s one of the things I am being optimistic about. Reason being is that regardless of my age and weird fucking time-frame I currently live in, I still love the underground. I still love black metal. I still love bands that use the whole corpse paint and spike-y image even though I would prefer that Americans leave that shit to the Euros when it comes to black metal imagery. I still do get giddy whenever I see younger generations take an actual general interest in black metal for the right reasons. I’m not completely without optimism.

Aside from my complaints and grievances, I’m not actually worried. The underground does have one thing to it’s advantage, and that it has a way of re-defining itself to go against the grain. It has it’s inner machinations that keeps itself at a relatively safe distance from mainstream society despite seeing the masses of Slipknot fans in FB comment sections worrying about Kim Kardashian wearing a fucking Morbid Angel shirt. These are the types of people turn around who laugh at terrible Metal memes that have Abbath from Immortal in it standing next to a cat in a bathtub and it says something fucking facepalm-inducing such as “This cat is about to take ABBATH!” (No I didn’t laugh btw) Bottom line: If you go by the words used by people who don’t listen to Metal (that statement is directed at mainly certain websites, not naming names btw), but still try to govern what you are and are not allowed to listen to, then yeah you’re lost on that one and I really can’t help you. But if you are a logical and rational human being who enjoys critical thinking and doesn’t hop onto one of the many online social media dog-piles, then congratulations for getting this far into 2017: You’ve already proven yourself worthy to talk to on FB. Believe it, Comrades.

An Open Letter To Metalsucks To Shut The Fuck Up

My personal favorite punching bag and Shia LaBeouf’s younger siblings aka the doofuses at Metalsucks are picking up where they left off last summer with their witchhunt against extreme Metal. It’s been relatively quiet from their end for the past several months. I guess ever since everyone called them out on their bullshit with constantly posting about  dead celebrities and making bank while previously talking shit about said dead celebrities, didn’t exactly work out. So now they are up to their old tricks, taking shots, and throwing shade at the Metal underground. Which I guess they didn’t learn their lesson when Destroyer 666 told them to properly shut the fuck up and their fans sent them death threats. This time they are directing their bitch-move and hypocrisy towards world-known underground metal record label and low cost distro Hells Headbangers Records. It’s the next step in their personal witchhunt against the underground that will more than likely lead to them targeting Nuclear War Now! Productions (That particular move and future article hasn’t happened yet, but it will I guaran-fucking-tee you) or some other record label/distro site that actually provides a service to underground metal. Something that Metalsucks does nothing of which is providing any type of service what-so-ever except capitalizing off Chester Bennington’s death and hanging off Corey Taylor’s nuts every 5 seconds he opens his fucking mouth.

In an article that they posted, Metalsucks was contacted by some proclaimed “metal musicians” who identified themselves as The Anti-NSBM Working Group or something hokey along the lines of that. This group asked Metalsucks to publish a letter directed to Hells Headbangers to “cease releasing and distributing Nazi propaganda.” I’m not going to post the actual letter because it’s mind-numbing, but here’s a link to it and instead I’m going to focus on what Metalsucks says.

Right before Metalsucks had a chance to NOT open their stupid fucking mouths, they went full retard and said this:

Recent events in Charlottesville and elsewhere are a striking reminder of the danger and threat the extreme right poses. Metal and other underground music genres are major venues for neo-Nazis and fascists to propagandize and recruit. This is unacceptable to us, and so we are taking action to remove them from our community.

It’s important that we make a distinction here: the owners and staff of Hells Headbangers are not, as far as we know, white supremacists or far-right extremists. The vast majority of the labels they distribute and the bands whose records they release aren’t either, and we’re not condemning any of those. We’re simply calling on Hells Headbangers to stop participating in the spread of hate through tacit endorsement and participation, and to eliminate the extremist labels and bands from their roster.

Keep thinking that ol’ Matty. I’m sure that will win people over.

“Our community” he proclaims. I don’t know what community you are talking about but if it involves goofy fucking mainstream metal, then you can keep it. I don’t want to have anything to do with such. The fact that Metalsucks thinks that Metal and other underground genres are major venues and breeding grounds for neo-Nazis and fascists to propagandize and recruit is nothing short of just full blown-out paranoia and stupidity at this point. And it’s a page taken straight out of the PMRC/Satanic Panic/Video Nasties-era of horror films of the 80’s. At this point I am fully convinced that these gentlemen were not old enough to remember that particular point in time nor do they remember the 90’s in which mainstream society looked at metal as either a joke or dead. If they did, they would realize that what they are doing is nothing short of the PMRC. They obviously don’t know horror movies were scapegoated in the 80’s as well because they would know how UK Prime Minister Margaret Thatcher in the 1980’s went on a morality-based witch-hunt of her own and forced video stores in the UK to shut down and close due to letting people rent gory Italian/Eurohorror films such as “The Evil Dead,” “The Texas Chainsaw Massacre,” and “The Beyond.”  Also by the brilliant fucking logic that Metalsucks uses everything time they feel they have a valid case, what Metalsucks is doing is the equivalent of saying “All librarians, book shops, & book sellers with Mein Kampf for sale ARE NAZIS and support Nazis and incite Nazism” – this is quite literally their logic. It’s not only stupidity, but dangerous stupidity. Let’s read what else these fucking un-circumsized penises wrote shall we?

It’s important that we make a distinction here: the owners and staff of Hells Headbangers are not, as far as we know, white supremacists or far-right extremists. The vast majority of the labels they distribute and the bands whose records they release aren’t either, and we’re not condemning any of those. We’re simply calling on Hells Headbangers to stop participating in the spread of hate through tacit endorsement and participation, and to eliminate the extremist labels and bands from their roster.”

Who the fuck gave YOU the so-call right to tell a record label what they can and cannot sell? Last time I checked, you weren’t exactly a paid share-holder on HHR’s stock or paying their fucking bills.

MetalSucks would also like to request that Hells Headbangers add a fucking apostrophe to its label name where it fucking belongs, fer chrissakes. OK? Thanks.

On behalf of the metal underground of all colors, genders, races, and preferred pronouns, we would like it if you took your own advice and fucking spellcheck and have someone proofread half the shit you post on your own damn website. The fact that you went to college is appalling when you go back through your past writings and see so many grammatical errors. I understand nobody is perfect, but seriously stop projecting your own website’s flaws onto a record label.

What Metalsucks fails to realize is the fact that Hells Headbangers Records sells roughly about over 28719035902103749 Crust/Grind/D-Beat/Anarcho-Punk/etc vinyl LPs/EPs/Splits/Cassettes. Compared to the minuscule number of obscure extreme Metal records that just so happen to be NSBM. I’m not a mathematician but that’s roughly about 400,000 to 1. That’s a minor fucking number of sketchy jamz they are carrying and selling. It’s fucking stupid on Metalsucks’s part because now HHRs are going to get an overnight increase in sales and more money in their pockets just by them making a stink over absolutely nothing. I love how they throw weight around like they can extort a company, too. Talking about how they’ll front a boycott. All they’d do is draw more attention to the company by boycotting it. It’s also a massive bitch move also on Metalsucks part seeing how the website themselves has covered Hells Headbangers Records very own music festival, Hells Headbash, in the past and even named more than a dozen artists that HHR themselves have put records out by. Hell, Metalsucks hyped HHR fest last year which had fucking Grand Belial’s Key headlining, with not a word about white supremacists. Hells Headbangers Records has NEVER, EVER been an issue ever until now. So why all of a sudden the stab in the fucking back for a label that Metalsucks has NO part or be it financial support, employment, or otherwise? Because the truth is that Metalsucks at this point in the game doesn’t give a fuck about anyone or anything besides the monetary gain they get by the amount of clicks they get. And from what I know and understand, fellow music journalists who are actual jounalists and not wannabe TMZ writers as well as musicians who make serious jamz to fuck with are NOT very fond of them either. Metalsucks are using the current tense political climate that has everyone paranoid and at each other’s throats to push their OWN political agenda which is to keep Metal a safe, user-friendly, commercially-viable, plastic tool that is easily arm-twisted behind it’s own back and ultimately conforms to today’s standards which is lukewarm dribble called “Metal.” Just as long as as it’s goofy fucking Behemoth/Arch Enemy/Tool/Mastodon/Machine Head/Deathklok/Slipknot/Lamb Of God/Deathcore/Metalcore/terrible groove metal etc. then it’s ok. But what the fuck do I know at the end of the day right?

I do know this, I am not shocked by all of this. I am beyond that point in the game of dealing with the stupid mutts at Metalsucks. I do know that prior to the past handful of years Metalsucks never once gave a single flying rat’s-ass about bands such as Nails, Destroyer 666, Pantera, Bolzer, Inquisition, Emperor, or even labels such as Hells Headbangers. If they ever mentioned any of these bands, they were always fond words of support and they encouraged Metal fans that weren’t in the know to search them out. Only in the past few years have they gone full retard with caving into the masses, stabbing said bands in the back with their false accusations and making obtuse generalizations of metal fans by proclaiming that they are racist/homophobic/sexist/misogynistic/transphobic etc. I don’t see this changing. I don’t see their holier-than-thou fucking moral crusade and modern-day witch-hunt stopping any time soon. At this point they might as well go jerk themselves off to whatever Robb Flynn, or Corey Taylor has currently to fucking whine about. And they won’t stop until they have influenced enough people to ultimately censor Metal and underground Metal. Which I don’t give a fuck who or what you are, what political party you side with, what major news network TV you watch, there is no censorship in Metal. Understanding that Metalsucks by all means has the right to voice their dumb-ass opinions and make false accusations and write their stupid manifestos all they want. That’s their American right which I will respect. But I won’t respect their constant attempts at weak jabs at an underground culture who bite is FAR worse than it’s actual bark. Aint that right Axl and Vince? Again just ask the gentlemen in Destroyer 666 and they’ll tell you about it. At the end of the day how about the good old “if you don’t like it, don’t buy it” rule? But that would preserve too much freedom, and stifle authoritarianism. And who wants that ?<end of sarcasm>

This may or may not be related to what I am talking about, and for all I know has fuck-all with the topic at hand. But it fits the general idea and spirit of what this blog and underground Metal is as far as the spirit of it. I am going to quote a recent book I got in the mail from Decibel Magazine. It’s the recently released “Metal Gods: A Tribute To Judas Priest” edited by extraordinaire graphic artist Mark Rudolph. There is a paragraph that should always be a daily reminder against downright bullshit such as the crap the Metalsucks writers spew. It goes something like this:

Judas Priest gave heavy metal it’s attitude. Their music is tough, defiant, and inspires us to take no shit. It’s the only kind of music you could make growing up in bombed out industrial city, because to make it out of Birmingham, or any anonymous strip mall suburbs in the States, you have to be tough. You have to be defiant. To be a fan of heavy metal is to be defiant. To those that don’t understand, no explanation will ever satisfy. For us, an explanation can go get fucked. Every single one of us has had to defend ourselves or a friend over this music, and every single one of us found this music for a reason. It boils down to the fact that the outside world is lacking something for all of us. So we take the black, take the blows, and defend the faith.

With that said, here’s my reminder to both Vince and Axl:


Stop the fucking presses! Apparently Metal is the worst and is officially dead.

Plot twist: It’s not and never will be.

So it was a slow, easy day full of cleaning up around my house and jammin’ out to random jamz when something caught my eye.  A recent article for written by David Hall(director of Maryland Death Fest documentary) popped up on my newsfeed causing a massive shitstorm. Like other writers for music-related websites, he is another person making rather cynical crass and asinine statements about how Metal is supposedly the absolute “worst” and is “dead.” The first thing that went through my mind was how this is probably the billionth time someone has said along the lines of what David Hall is trying to make an argument about. Unfortunately, I have to hear and read about it on my Facebook newsfeed. It was a stupid thing to say in 1997 and 20 years later in 2017 it still holds no water or weight. You know the old saying that goes something like time is a flat circle and that everything we do, we will do again and again and again? This is a clear example. Journalists, writers, bloggers, and online complainers have done this time and again. They might make the argument that I am the proverbial 16 year old trapped in a 34 year old man’s body because I continue to listen to Metal and I could easily make the case that they simply got old, stopped caring, and became the father figure that I am not going to show respect for- especially when that father figure has been largely absent. The article is a clear example of “tl;dr” in the most cringey ways. Combine it with an edgy as fuck clickbait title, you would think this was Axl Rosenberg of Metalsucks in disguise. This shit had me seriously debating whether to ignore it, or take a step back and give him room to explain himself. Well I did the latter obviously in this case. So let’s just breakdown this example of the misguided anger-cynicism-edgy bull’s eye that David Hall is blindly trying to throw darts at and failing to hit.

David Hall starts his shit-list of complaints with this gem:

Is there any other genre of music that is so self-absorbed, so desperate for validation, so pathetically obsessed with itself, so childish and image-conscious, so accepting of conformity and mediocrity as metal? No. There isn’t. Because metal is the fucking worst, at least in North America, and it needs to get right or go away forever.

This depends on your source, dude. If you are basing these observations off the Metalocalypse-inspired goofy mainstream metal bands that sound like the really fucking TERRIBLE miasma of Arch Enemy/Behemoth/Opeth/Machine Head crud, I agree. The same goes for the Rockstar Energy Drink crowd of Korn/Five Finger Death Punch/White Chapel/Suicide Silence mainstream bros with plugs in their ears. Mainstream Metal for the most part has always been fucking goofy as shit. Glam Metal in the 80’s. Nu-Metal in the 90’s. Metalcore/Sweden-worship and Deathcore in the 00’s. Hipster Metal in the 2010’s. Mainstream Metal will always have it’s trends and fads and that’s all they are for the most part. BUT, if you are basing this off bands who are currently fucking things up in a positive way in the underground, then my good friend, you are seriously misguided. Let’s continue;

Metal is a petulant little child that is wrought with an Oedipus complex, an oral fixation and a collective transference of identity issues (somehow stemming from a lack of identity) that causes it to be constantly screaming for attention. Metal ALWAYS needs a great big dick in its mouth to calm it down and stroke its melodramatic ego. Metal wants to be heard and seen. It wants to rebel; yet, if you look at it, it ironically shuns your gaze because you are not credible enough to soothe its aching teats. Metal wants to be different, but only within a strict set of guidelines. Metal is a tireless masochist. It suffers, it moans, it whines, it annoys; it is a culture of emasculation, castration, penis envy, communism, capitalism and third-grade intellectualism. Metal is weak, ill-formed, small-minded, an accident. Metal is modern man in search of a soul, yet it looks not to the heavens for answers — instead it stares in awe up its own gaping asshole, whispering with quivered lips, “You go, girl.” Yes. YES. Metal is a cliche, a reproduction, derivative and fucking lame. Metal is an echo chamber.

Metal is in constant celebration of a victory it has never achieved.

Ok, the “You go, girl.” part did raise a smirk on my face. I will be the first to admit that some of these things are true. Some of these are things people don’t want to hear. And some of these are just down-right fucking stupid. These are also some of the vaguest fucking crass statements I have heard. David Hall sounds like some random ex-writer for Rolling Stone magazine who is bitter that this month’s issue didn’t have that eagerly-awaited review on the 40th re-re-re-re-re-release of a random Bob Dylan album. Combine that with him trying his hardest to pull off an wannabe-Bukowski sense of smugness and tortured artist soul , just reading his vapid and fleeting words make me feel like I’m going to get a bad case of Taco Bell shits.

David Hall then talks about the importance of the first Black Sabbath album. Which at this point in the game of “I listen to REAL metal” might as well be this automatic safe answer that every writer uses as some sort of leverage in their arguments. It’s like an art student straight out of high school and going up to his university college professor who has been teaching his class for the past 20 years and saying “Art is dying. Dadaism is pretentious bullshit, but Picasso is the start and finishing statement of my argument.” After which he completely fucks up the time-line as far as Metal’s evolution and misses some rather important key points to it’s evolution:

From the first spins of Black Sabbath, metal grew fast. As bands like Black Sabbath, Pink Floyd, Led Zeppelin and Deep Purple focused on songwriting, riffs and performance, other musicians crawled out of the swamp and started to take metal in new directions, effectively creating the first subgenres of metal that would lead us to our present state of affairs. Speed metal, black metal, death metal; which led to doom metal, glam metal and thrash; which led to grindcore, technical death metal and crossover; which led to a whole array of sub-sub-sub-subgenres; which ultimately led to “blackgaze,” which, in my opinion, was the death knell of metal, and it’s where we are now, and it really sucks and is shitty and it’s the fucking worst.”

FUCK ELITISTS! I’M GOING TO BE A NON-ELITIST ELITIST! NOTHING IS GOOD PAST A CERTAIN YEAR!” – David Hall in a shirt that I must admit I’m jealous for not having. Can someone find this for me? I’ll Paypal you ASAP.

Blackgaze? First I am triggered at this that he is not only being racist and homophobic but if he seriously thinks that’s an accurate timeline, then he gives an F for failing history class. IF my assumption of incorrect historical evolution is actually correct, I would highly recommend that he at LEAST read “Sounds of The Beast” by Ian Christe. Decibel Magazine has some really excellent reads concerning essential albums in Metal in all types of genres. Or watch any of the Sam Dunn metal documentaries on Youtube. Even as “For Beginners Only” sources of information, both are way more accurate in pointing out the evolution in an historically accurate fashion. How the FUCK did Speed, Black, and Death Metal lead to Glam Metal? That’s like saying Exhorder is responsible for the existence of Korn. Unless you were to do a Six Degrees To Nu-Metal, that’s a jump that Evel Knievel couldn’t make. And as far as “blackgaze” being the death knell of metal? Have you heard of Five Finger Death Punch? You want to talk about goofy fucking bands? There’s you an easy target.

So, what happened? When did it happen? How did it happen? How did a fertile, underground, credible, artistic and meaningful genre of music go unfettered for almost 40 years before it suddenly hit a wall? Well, like many journalists suggest, it wasn’t Nazism, misogyny, racism or elitism. It is a fallacy to assume that one genre of music is discriminatory — a) music is inanimate; it isn’t anything but sounds and words delivered on whatever medium is most profitable; b) music cannot “be” anything but music; any social and human behaviors attributed to music is transference and anthropomorphization; c) fuck off and put your personal politics into a medium or social construct where it belongs and works: social work, politics, medicine, engineering, volunteering — you can’t change a light bulb with a piece of cheese, and you can’t fix (or ruin) society with art.

I can agree with this for the most part. I’ll give him a gold star for today for not using tired, worn-out, and over-used accusations and slander. Good job in not making this piece part of the online social-political echo chamber.

No. Like most artistic movements, metal’s death blow was commercialization. And more importantly, the widespread acceptance of said commercialization. I can pinpoint the exact point in time when this happened: June 11, 2013. What happened on this date? An album called Sunbather by a band named Deafheaven was released. This was the apex of metal’s commercialization. 1999 – 2012 were creatively fertile, but financially lean times for underground labels. The vinyl boom was just starting to hit. Metal was not quite hip yet. Metal needed a kick-start. And thanks to commerce and cultural appropriation, it got one.”

Soooo, you’ve pretty much stroked yourself  for the first half of this article just to be ready to fire-off a lazy orgasm into your proverbial cumsock? OVER DEAFHEAVEN? Of all bands, you choose Deafheaven to base all of your misguided anger towards? If you were any less impotent, you would pass as a prime candidate for erectile dysfunction pills.

Like Black Sabbath — who did not invent the genre of metal, but perfected it and made it real and signaled its arrival in a measurable, quantifiable, identifiable package — Deafheaven made real (did not invent) a subgenre of metal called “blackgaze,” a combination of black metal and the indie rock subgenre shoegaze. Yes, many other bands played this kind of music before Deafheaven. Yes, many bands in the parenting genres of black metal and shoegaze laid a fertile framework of music prior to Sunbather. But like Sabbath’s Sabbath, Sunbather was a signal post. This post said, “We are blackgaze; we are marking this territory for our own; there will never be a better blackgaze album than Sunbather; we are taking a stand, planting our feet firmly and announcing that from this point forward, WE are the progenitors of a new scene.

And people bought it. Thanks to a propaganda campaign led by Pitchfork, Sunbather became a cultural force in the “underground” world of metal. Except it wasn’t underground metal that was listening or buying. It was children, and those uninitiated and unaware. You know how Nirvana’s Nevermind “invented” grunge, even though those of us who were there can clearly remember an organic scene called “indie” or “alternative” that existed for years before Kurt and co., appropriated it and sold it out? People at Dinosaur Jr shows weren’t listening to or buying Nirvana. People at Pixies and Meat Puppets shows weren’t listening to or buying Nirvana. And yet suddenly Nirvana dropped Nevermind and every asshole at the mall was wearing a flannel shirt. Well, that is Deafheaven and Sunbather. Nobody I know was listening to that band or buying Sunbather. In fact, anyone in the know resented their blatant skip-the-line success. But suddenly everyone at the mall was wearing corpsepaint and praising Loveless by My Bloody Valentine. No, the music on Sunbather isn’t terrible. That’s a personal call. Musical enjoyment is subjective. Whatever goes in your ears is for your ears only. But suddenly Deafheaven were everywhere, had the Breaking Bad of “metal” albums, and for a time, you know, it was fine. People wanted to buy their records. Sure. Cool. I mean, Pitchfork was guilty of selling an album as black metal that has no business being called black metal, but for the most part, the success of Sunbather was organic and fan-based: real, dedicated metal outlets pretty much ignored and/or scoffed at the band, and fans drove the album’s success. Hey, there’s no accounting for bad taste, right?

Stop. Please, for the love of Cthulhu. Just stop.

What happened next, however, was not organic, was not fan-driven or relatively harmless cultural appropriation. What happened next is what killed the underground scene and brought us to the point we are at now: Deafheaven, too $uccessful to ignore, started to be given credibility by the metal press. And even worse, other underground labels — much like the “grunge” frenzy in the ’90s — started to look for more Deafheavens. Blackgaze, and other nonsensical subgenres that have no business being sold as metal, started to be sold as metal. And bands began to change their style to profit from this. Suddenly, a niche was making money. People were selling out. People were following their wallets. And the worst part is no one seemed to care. On August 4, 2016, eyewear conglomerate Luxottica, through its child company Ray-Ban, released an ad campaign featuring Deafheaven. It used their music, their images and their story. (Well, the campaign spun their story anyway.) Suddenly, Deafheaven were brave innovators who stood up to their critics, and against all odds, released an album. They had courage! #ittakescourage. That was the hashtag given to the Deafheaven campaign. Metal. Reduced to a fucking hashtag and a sunglasses commercial. And the worst part? Nobody said shit. People loved it! And any form of criticism was brushed off as “haters” or “Well, Deafheaven has always just been about seeing how far they can take it.” The band sold themselves out and sold out underground music, and people fucking loved them for it. They were heroes. And anyone who said otherwise was a misogynist, racist, homophobic “edge-lord.” That’s when underground metal died for me. Not the music — I love the music … well, not Deafheaven — but the spirit and ethos and individuality of metal. Sold to a fucking sunglasses company. It made me really depressed.

I suddenly felt like I was in The Matrix or Inception. At metal shows, everyone looked the same and acted the same. Throw the “horns” up and party! Be blind to the conformity that surrounds us. Eyes wide shut, please. Buy. Conform. Don’t criticize. Go inside and eat supper with the pigs. Accept. Blame! Be inclusive for THE SAKE OF SOCIETY! WELCOME ALL CONSUMERS TO THE TABLE. MAKE METAL YOUR IDENTITY. CLICK. BAIT. CLICK. BAIT. MORAL SUPERIORITY THROUGH THINK PIECES!!!!!!! BUY TWO PAIRS OF RAY-BANS, THAT TAKES COURAGE.

Fucking weak, man.”

Before I disagree, I DO particularly remember when the accusations of anyone being against Deafheaven was met with the PC brigade- whatever the accusations they did and can dish-out in total non-sensible fashion as usual. Even I didn’t understand this and I’m not even invested in a band like Deafheaven. I’ve always been extremely indifferent to them -to me they simply don’t exist. I have way better shit to pay attention to, like David Hall’s arguments for example.


If it takes a band like Deafheaven for you start making comments like this, then YOU are weak. You are what we look at and feel completely taken aback. It’s a total sense of dumbfounded reasoning. Why take every negative thing of both past and present out on one single band? That’s a total cop-out. Mainstream Metal for the most part has always been more or less goofy. Even when the mainstream flirted with the underground in the 90’s, it was goofy to certain degrees. If you equate Deafheaven making black metal acceptable for swoopy-haired hipsters with flannels to cultural appropriate in 2013 as the death-knell of metal, then I would hate for you to be around in the late 90’s to early 2000’s when Cradle of Filth made it acceptable for Marilyn Manson fans to cultural appropriate with contact lenses and write shitty poetry about vampires named Lestat.

This was the apex of metal’s commercialization. 1999 – 2012 were creatively fertile, but financially lean times for underground labels.

I seriously doubt you were around in the late 90’s. If you were then you would not be trying to sound like some washed-up 45 year old Dad with a mullet wearing a sleeveless Metallica shirt – one who complains about how metal past the year 1991 sounds like shit because of “cookie monster vocals.” As far as metal’s commercialization starting in 1999? I think you have mistaken Nu-Metal’s success with whatever else you are talking about, but then I still can’t even tell.  If you had a point, you lost me. My advice?  Instead of giving a band like Deafheaven more press and clicks, go listen to new and recent albums by Blood Incantation, Loss, Power Trip, Ulver, Immolation, Death Worship, Nails, Necrot, Full Of Hell, or a dozen other bands and releases from the past 3 years that you can give more attention and energy into. Do that rather than make asinine and crass statements that will only grant you favors and sloppy handjobs from the authors of Metalsucks. If this was clickbait, then you one-upped Axl Rosenberg when he claimed that Todd Jones is a scene-bully. Congratulations Dad.

Closing statement to David Hall:

US black metal band Woe gets accused of being Nazis and Antifa can’t understand why people dislike them.

I love irony. Not in the cheeky kinda way that has been glamorized by dapper haircut-wearing hipsters who listen to Deafheaven during the past several years, but the kind of irony that brings to light that in spite of all the claims of ‘progression’ that people have claimed and fought for years, the truth is we have NOT and we will never truly progress until we stop throwing labels at everything with what our ideals dictate that we should.

Unfortunately, US black metal band Woe has fallen victim to this false sense of progression. And they certainly haven’t been the first and sadly will not be the last. That’s no slight towards the band because I have been online friends with Woe frontman Chris Griggs for a good handful of years now. Not only do I support the band (you should too, they make good jamz to fuck with), but I support their right to free speech which is is one of the core fundamentals that this blog stands for in the face of the current online Metal social media game. With all this said, here’s what led up to the current bullshit that is currently making waves on my FB newsfeed.


Woe and Ultha were just kicked off of a show because we are performing with Inquisition. We learned this via SMS, before our booker was informed, after driving four hours across Germany, and with no opportunity to appeal the decision.

The absurdity of this situation is profound. For years, we have been exceptionally vocal about our political and social stances but still careful to not let them define us as a band. We never backed down from an opportunity to discuss it in interviews, we never shrank from it online, we covered a classic anti-fascist punk song to extremely apolitical black metal crowds, and we doubled down with songs like “No Blood Has Honor” on our new album. Along the way, we introduced countless black metal fans who had never considered politics that it is possible to take an anti-fascist stance without sacrificing the harsh, abrasive stance of a black metal band.

Our politics have made us the subject of ridicule by some people in the extreme metal scene, but we do not care. Even our detractors typically understand that black metal is full of conflict and diversity. Those who hate us for our liberal views are free to do so, and, ironically, those are the people who are least willing to tell us what we should or shouldn’t do, what shows we should and shouldn’t play. We’d find this funny if it wasn’t so poignant right now.

The worldwide extreme metal scene is a diverse, complicated thing full of people with different backgrounds and experiences. Many bands and fans have never once thought about politics, many of them do not care about politics and object to the idea that they should have to care about them to appreciate music. To these people, riffs are riffs, songs are songs, imagery exists to build mood, and message is secondary to feeling. Even within Woe, we have varying levels of political involvement. Regardless of whether you agree with the apolitical metal fan’s perspective, recognizing it is crucial to understanding why bands with questionable backgrounds can operate on an international level and why a band like Woe might choose to put ourselves in close proximity to people with whom we may not agree.

Woe and our tourmates Ultha exist to create and perform art, not proselytize, but we are also adamant that performing at explicitly apolitical events with diverse lineups is crucial for the representation of our social and political beliefs. Black metal encourages questioning systems, offending those in power, and evolving beyond outdated beliefs.

If we were to only play to crowds who were squeaky clean, nothing would change, nobody would grow. Similarly, if you think that a band has committed such intense crimes that they should be barred from participating in the international scene, that is between you and the band, not your allies who choose a different approach to engagement. If we choose to participate in an event, it is because we are confident that it does not compromise who we are.

To have a show canceled now, after years of unflinching willingness to stick our necks out to crowds who might be unreceptive, goes beyond being a slap in the face. Hamburg ist Droneburg and the venue Hafenklang decided how two openly anti-fascist bands, one of whom is primarily comprised of people of Jewish background, should engage with extremism in a music scene that is only now starting to become politically aware. We and those alongside us deserve the trust and respect to effect change as we see fit. Every adult must be responsible for themselves and choose a level of involvement that is right for them. It is not appropriate for others to decide how we should or should not engage.

This is why the right thinks that the left is full of fools and reactionary children who have never stepped out into the real world. Rather than targeting the actual fascists or supporting allies within the scene, they eat their own. Hamburg ist Droneburg and Hafenklang have today acted as agents of the right by silencing us and, once again, promoting the right’s message that anti-fascism is the enemy of black metal.

Despite this, we are resolute in our position. We played an antifa benefit in Brooklyn for J20 protestors barely a week before leaving for this tour, and we will continue to support the greater mission. Those responsible for today’s cancellation, as with all similar events, are people from outside of the scene who have decided that they know how to handle our problems better than those of us actively participating in the metal scene. To those who would deprive of us our voice and strip us of our agency, we urge you to improve this situation by making bridges with people within the metal scene. Wars like this are won through discussion and understanding, not force.

Man. I could make a really bad fucking joke about this being the first time I’ve haven’t seen Jewish people being banned from Germany since 1943 in a way to bring humor to the topic, but in that terrible joke I just made it should be a massive wake-up call to the idiots in Antifa to stop doing this whole ‘guilty by association’ bullshit that they are currently having fun with. Banning Marduk in Oakland through the use of local law enforcement is no different than what they just pulled with Woe in Germany. At the end of the day it’s still censorship of music. And I would argue that it’s far scarier than whatever current unpopular president is doing something internationally. Mostly due to the fact that for a lot of people, the underground has always been their second home that they have found like-minded people in and that there IS positivity found in an extreme form of music. And the fact that’s coming under a modern day form of censorship IS very scary. It’s scarier that the people that ideally the underground WOULD more or less connect with are the ones who are currently causing all the fucking trouble WITHOUT the help of actual white supremacists. It’s scary to me because as someone who has been part of this entire weird underground for so long, that Tipper Gore‘s wet dream of silencing and censoring metal bands is slowly but surely coming to fruition with the help of the assholes in Antifa. And how Chris Griggs explained why the right thinks that the left is full of fools and reactionary children who have never stepped out into the real world and rather than targeting the actual fascists or supporting allies within the scene, they eat their own is fucking dead on. His words that most fans of this black metal genre are Apolitical are especially true. That Apolitical part extends to loud mouth shitposting assholes such as myself that actually prefer a reasonable and logical neutral/common ground stance to things where the shades of grey are just that and that not all things are of black/white thinking nature.

The sad fact of all this is that this sort of thing will not stop. The reality is that bands such as Woe, FIN, hispanic/South American bands and countless other black metal bands will be targeted for being associated with or coming under the asinine assumption that they are somehow Nazi-sympathizers. Which that is the ultimate irony because majority of these bands ARE multi-ethical and are not the usual Northern Euro/Anglo Saxon-ancestry that the politically correct love to fucking target because of that whole stance of being anti-patriarchy. Even bands such as Krieg, Bolzer, InquisitionDestroyer 666, and Wolvhammer have been accused for whatever reason as well even with zero logical proof of evidence that they have any ties or association with the extreme far-right. And again I see no end to this modern-day witch-hunt. The only positive thing I see coming out of all of this is that despite how hairy and politicized everything has become in the past few years, at least I know the the underground metal scene in general still has teeth, claws, and talons that are still sharp enough to bite back at those who try to bring in their political correct banner which is nothing more than a thinly-veiled form of censorship. Keep an open mind and know who the real enemies of the underground are.


A Few Bad Apples Will Definitely Ruin the Bunch.

In the past rough 36 hours has been one of the more shocking things that as a 34 year old hurtling towards middle age was taken back and legit shocked/disgusted/appalled by. Famous journalist Kim Kelly of Vice News was attacked and bullied to the point of it going beyond the underground’s knee-jerk reaction to something she said or any other journalist/blogger. As with anyone who goes by the label of journalist or blogger(myself included), our words are taken in black and white and as the truth, while our past actions are brought under a microscope to be given the severity of the criticism that will come our way in various degrees. But what happens when it goes beyond that and legit bullying comes into light. Lemme try and break down this for ya;

Kim Kelly whom for the record I don’t agree with and find her stance (considering her history as far as what she believes in) to not be favorable in my view, tweeted her opinions(which she has every right to do so) on the current state of metal in 2017 and then what happened next was something that is borderline Elementary-style playground bullying. And unfortunately it’s taken so many times for a person like Kim Kelly to cry wolf to where actual fucking online bullying directly made fun of and insulted something that she was born with and physically cannot help. Kim Kelly has congential hand deformity of her left hand. There are various different types but she has something that she cannot help or has no control over and was born with. Online bullies made a Facebook page where they completely mock her and used her disability to deliberately hurt her because of such all based on her stating her opinions and how she views what is going on in the state of metal in 2017.

Kim Kelly HAS written and discussed ( in her view) the negative aspects about black metal and metal in general in the past. A lot of times those said discussions has fallen on deaf ears for various reasons that I won’t go into and for a lot including myself, we simply do not meet eye-to-eye with. But for me to do something as I am about to discuss is like me going up to the owners of Metalsucks and showing up at their doorstep with a fucking SS Wehrmacht uniform and doing my best impression of Germany in 1941. Now again, I understand if one does not agree with someone else’s opinion on whatever the fucking topic of discussion is at hand. Everyone more or less has the right to a legit discussion and adult-based argument without it turning into your stereotypical mainstream media news bit talking point slander fest that you might catch on Bill O’Reily or Rachel Maddow or Bill Maher or whomever you are currently politically identifying with or however people use to describe the modern day hive-mind mentality that quite frankly isn’t getting us fucking anywhere.

I personally am very thick-skinned. It takes a lot for me to REALLY be actually be disgusted/appalled/taken-back/shocked/etc considering how long I’ve been a fan of this thing that I hold so dearly to my heart which is not JUST black metal, but Metal and specifically the Metal underground. I’ve always seen the underground as a place with honest, genuine people who come from various and different backgrounds can come together and prove something to the rest of the world that clearly doesn’t give a fuck about us that we have something pretty kick-ass going….and to the uninitiated and general mainstream society it’s a shock-filled edgy dilapidated haunted house with a huge spooky sign that clearly states “Enter At Your Own Risk.” But after so many years of seeing the underground has taken almost every extreme taken to show it still has teeth in which it can use to prove to mainstream society that we are not something to be fucked with, this is by far the first time I am having to seriously question the very nature of where all of this is going and quite honestly it’s not going to go very far. And this type of thing did not just hurt Kim Kelly, it’s the kind of thing that has affected a number of my online female friends that I chat with about various things.

I know what I wrote about a few weeks back had a lot of people questioning what I was doing and which I replied to several messages/texts explaining it was for the sake of comedy. It was satire based on the superficial bickering that females in the metal scene do to one another and I even took shots at males and even myself in the same comedy bit. Comedy/satire used to bring to light something that a lot of people are guilty of doing is no different than what you might read on The Hard Times or in an article written by Finn McKinty a.k.a. Sergeant D of Metalsucks notoriety. I honestly think that comedy is the one thing that can help ease some of the tension and bring everyone together and help them realize that yes even though we are all at each-other’s fucking throats on social media, in reality nobody is really any better than one another AND that no matter whom your current mainstream worldly cult of personality is, they don’t give a fuck about us. To them, we are something that is passe’ and aging. But what happened to Kim Kelly goes far beyond that as well.

But guys – specifically this entire rant is directed to the assholes who made that FB page – and I stress on refraining from using the world “gentlemen” because what happened was not very gentleman-like. It wasn’t even fucking anywhere close to how a logical/reasonable adult would conduct themselves and I am specifically talking about those of us who have better shit to worry about than making fun of someone with a disability and/or crippled. That is the very definition of some little prick who was held back twice and dropped out of middle school because he refuses to grow-up or possible borderline sociopathic. This isn’t me being a white-knight, and you can call me every over-used fucking term from last year and can take away whatever cult credit I have (not like shit has been cult since roughly 2003 btw), but deliberately hurting someone that you do not agree with and using their disability as a weapon is down-right inhumane. And as someone who comes from a southern family with a rich military history and who also enlisted to defend this crumbling and broken nation which at times I still question if it was fucking worth it whenever I see bullshit such as this, is something that goes against everything that was instilled into me by both grandfathers and my father who I looked up to who were confirmed fucking hard but at the same time had 3 of the biggest hearts and these were men that dodged and took fucking bullets and did some incredibly amazing acts of valor and honor to their country that I’ll be the first to admit would scare the living shit out of me if I were in the same situation. Those were real men. They stood by and defended not only their country by myself and my family which included my mother, grandmother and every female in my family. I know I would never even dare use my grandmother’s disability to hurt her (she had scoliosis/spinal surgery) or even use my very own mother’s health issues to attack her. That shit right there is beyond anything I could personally do and the same thing applies to everyone with a disability.

Bottom line is this and this is directed to the creators of that particular FB page: you don’t pick on or bully or hurt someone who is physically weaker than you which extends to the sick, elderly, animals, children, and females. This isn’t virtue-signalling just to make me famous online. This isn’t me being an SJW. This goes beyond disagreeing with a Metal journalist who has different politics or views things differently. Because the reality of that is that there will always be someone out there bigger, stronger, and meaner than you. I don’t wish violence upon you, I am above that as well. But I seriously hope you don’t end up in a situation where karma comes to collect on the down-right disgusting shit you did. If you think you define anything of what the underground is about, you’re wrong. The only thing you define is the fact that you are someone who is some 2-inch fucker who has nothing better to do than give the rest of us, including me, a bad fucking image. Grow the fuck up already.